Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, October 6, 2014

Why I have two "useless" majors

Now that I'm halfway through college, I become increasingly nervous when others ask me, "What are you going to do after you graduate?" College students love to ask each other this question, just to contribute to the overall atmosphere of sheer panic. 

Most humanities majors suffer judgement to some degree from naysayers who look pointedly at us and ask "What do you plan to do with that major?" I'm always psyched to be a double humanities major, so I can suffer double the judgement. But I am not here to answer the question of how my degrees will help me in the "real world," because I am still cooped up in my Berkeley bubble, degree-less and jobless. 

I'm only telling the story of how I ended up on my current path. In doing so, I want to demonstrate that everyone's choices are determined by personal influences in their own lives. Before you judge someone else's decisions in life, I hope you remember that most people make their choices with good reason, and you would do well to listen to their stories first. 

Why I'm majoring in Comparative Literature
 I've enjoyed literature since I was a child, always writing stories in little notebooks and devouring chapter books. Up through eighth grade, I was considered one of the better writers in my classes. Of course, I'm now surrounded by amazing writers who make me feel that I have the analytical skills of an eighth grader.

I came to college intending to major in English. My first semester, I took an English class in Middle English, the first of many required courses. It was fun- we read Chaucer's Canterbury Tales and Milton's Paradise Lost. I never thought about switching majors until the second time I showed up in my professor's office hours when he asked me casually, "So, who are you?" 

"Who are you?" I asked myself over the next few days. I suddenly realized how large and impersonal the English department was, despite being one of the top English programs in the nation.  So I visited Dwinelle Hall to check out the requirements for Comparative Literature. Oddly enough, I didn't even think about Psychology or Cognitive Science or any of the other majors that might have been more interesting to me. I was still focused on studying literature. 

I switched to Comparative Literature since I had the freedom to take foreign-language literature for my major requirements, allowing me to dabble in Chinese texts. I also considered taking French literature, but after one semester of time-consuming French 1 classes where I told my professor I had a Van Gogh table (tableaux), I gave up that notion. 

I declared my Comp Lit major a few weeks ago. I'm still taking English courses, but don't have to call myself an English major like the billion other people in my department. I'm still surrounded by intelligent people who are much more insightful than I will ever be, but I hope my classes and peers will help me become a better reader and writer. 

Why I'm majoring in Music
I've always had the strange habit of allowing music to take over my life. I've dabbled in many instruments, and I'm proud to say I have rusty and amatuerish skills on the French horn, flute, saxophone, and erhu. 

Berkeley isn't known for having a particularly stellar music program,  so i didn't expect to be heavily involved in music. I only intended to join the orchestra and play percussion with my awesome friend Andy. Almost immediately, the orchestra began to demand more and more of my time. I didn't think much of it,  because I appreciated the solid community that the orchestra provided. Everyone was so passionate about music. An aspiring conductor told me that most graduate music programs required a music degree, which is the reason why he pursued one even after earning his biology degree at Berkeley.

It was difficult to avoid the idea of becoming a music major, with many orchestra students double majoring in Music and other subjects. My conductor casually mentioned that if I became a music major, I would be able to take subsidized (free for me!) private lessons through the Music Department. 

My very first semester as an orchestra percussionist, Cal Performances provided me and other members of the orchestra a free trip to LA and NY, where we would perform in Walt Disney Hall and Avery Fisher Hall with the London Philharmonic. It was an amazing opportunity that came out of nowhere. 
During a bus ride on this tour, I suddenly thought to myself, "How awesome is this? Traveling the nation and expensive cities for free, just to play music? This could be my life." 

I returned to Berkeley with a new resolve. I declared my music major and started taking the annoying music theory lessons. Of course, there have been no free trips since, but music has still brought me amazing new experiences: playing gigs at a pizza place, performing in Mozart's church, and banging on pitched flower pots, just to name a few. 

Why I'm not majoring in STEM (Science, Technology, Engineering, Math)
As much as I love science, I can't deny the power of my inspirational high school English teachers who kept my fascination with literature alive and well. Ideally we could have more interdisciplinary fields that combined the arts with technology and science, but then again we wouldn't have the in-depth focus necessary to succeed in a particular field. 

That being said, I think our generation should take mandatory computer science classes in high school, as our culture is so steeped in the computer world. Ironically, I have zero patience with malfunctioning computers, since I operate in shades of gray, while computer logic is often all or nothing, right or wrong.

As I'm a good little hypocrite, I still judge people with even more obscure majors (according to LinkedIn, Governor Brown got a degree at Berkeley in Classics before going on to Yale Law School). But if you know what you love and want to study, others' judgement should be irrelevant. Hopefully this post will inspire everyone to forge their own path. And hopefully I won't be blogging later on about living in a cardboard box. (Just kidding)

Thursday, October 2, 2014

MUSIC REVIEW: Linkin Park's Living Things is as good as ever




Courtesy of b-sides.tv.
Linkin Park is back in their full pessimistic glory with the release of their most recent album, Living Things. Unlike their last album, A Thousand Suns, which made references to political statements with short clips of speeches--including Mario Savio’s “bodies upon the gears” speech in the powerful track “Wretches and Kings”—Living Things features lyrics that are based on personal experience. Linkin Park always had a gift for writing lyrics that were general enough to make every person feel as if they could relate, yet specific enough to distinguish each song from one another. Rest assured, listeners will experience more of the band’s raw rock power in Living Things.

As usually happens to artists who experiment with their sound through the years, there are fans who complain about missing the “old sound” of LP. Really, there is no “new” Linkin Park, only an evolved one. It is true that their music has more elements of pop than before, but Bennington pushes at the extremities of his vocal range as well as ever. Songwriter and keyboardist Mike Shinoda still flawlessly weaves the rap, vocals, and melodies together into coherent and meaningful songs. The drumbeats are more geared toward the pop audience, but DJ and sampler Joe Hahn still manages to add the usual touches of unique electronic sounds that set Linkin Park apart from other bands. The lyrical material is mostly dark, but does contain optimistic moments and is flexible to different interpretations.

It’s hard to tell now which songs will become radio classics like “What I’ve Done” and “In the End” from previous albums, but the catchy tracks “Burn It Down” and “Lost in the Echo” are strong candidates. Some of the songs are so undeniably Linkin Park, the sounds so familiar, that listening to them feels akin to wrapping yourself with a blanket and sipping on your favorite wine. There are plenty of head-banging opportunities that allow listeners to tap into their own wildest, most aggressive emotions. In any case, there is incredible variety in Living Things. “Castle of Glass” boasts a thumping metal country beat, and “Victimized” features Bennington artfully screaming with his usual utter abandon, reaching deep into the visceral angst of the human soul and twisting at the gut. Add all the elements together, and Living Things becomes a solid album fit to join the legendary list of masterpieces that Linkin Park has already released.

Linkin Park has been categorized as everything from “alternative rock” to “metal,” and their evolving style has confused many listeners, leaving die-hard fans at a loss on how to view them. But Linkin Park has always relished their artistic freedom, and fans would do well to appreciate, respect, and enjoy the music they have to offer.

(Album released in 2012. Article written in 2012, edited in 2014)